We find ourselves in year 37 after the founding of Wien Modern. The population of Vienna has grown by an astonishing 37 percent. Vienna feels noticeably different and less backward-looking than it did 37 years ago, at the low point of the population curve. What music is to be discovered in a growing, increasingly diverse metropolis? Which stages reach which people? Who stands on these stages and who doesn't? And what can music, an astonishingly diverse, touching and inspiring art form, do to help us navigate the learning curves of the present as elegantly as possible?